Author: Tracey Richardson

Tracey Richardson has had several novels published by Bella Books, two of which were Lambda Literary Awards finalists. Semi-retired now from a long-time journalism career, Tracey spends as much time writing and reading as her two demanding chocolate Labrador retrievers will allow. She also enjoys playing hockey, golf, and occasionally teaches fiction writing. History, politics and time travel are among her more exotic reading material. www.traceyrichardson.net; Twitter @trich7117.

A Good Clock Is Like A Good Book

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I bought an antique mantle clock recently. I’ve always appreciated old clocks and have been toying with the idea of one for a while, and finally pulled the trigger on a little 1938 beauty made of walnut.

My clock was made in England by manufacturer Smiths-Enfield, and would have come on the tail end of a fairly productive period for clock making in England. When war broke out in 1939, most if not all of these companies turned their attention to the war effort. Clock making continued in the war years, but at a trickle. Read more

ER the perfect place for writerly inspiration!

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Because we’re such a curious bunch, writers are always on the lookout for material to inspire, educate, fascinate. Cafes, restaurants, concerts, sporting events — any place where people congregate — is a great source for material.

But the best place? Go sit in a hospital emergency room for a while, because these places are teeming with humanity. An ER is a window to the world of how people respond, cope, survive (or not), how they give and take, how they communicate and, well, everything in between.

Recently I made the trip to the ER because I had an excruciatingly painful flare-up of a shoulder condition, and I wasn’t sure exactly what was causing it. The pain was making me nauseous and spiking my blood pressure, so off my partner and I went for the long wait to see a doctor.

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My Life As A Plantster!

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For most of my novel writing career, I’ve been a Plotter. I would write pages and pages of notes before I started writing a novel—mostly to do with plot, but also to do with character development. It was my safety net, and I would not start my novel until I was sure I’d thought out every twist and turn (nuanced or obvious) and knew everything there was to know about my characters.

I’m happy to report that, more than a dozen published novels later, I’ve evolved into a Plantster. Which, for those of you who aren’t familiar with these terms, a Pantster is someone who writes by the seat of their pants without a detailed plan. A Plantster is a hybrid between a Plotter and a Pantster.

Now when I start a novel I only have a couple of pages of notes, and they’re more of a guideline rather than rules. I leave myself lots of room to play around, and I’m loving it. Read more

Applying screenwriting tips to your novel

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I recently came across some simple but impactful screenwriting tips. The advice said every scene should be one of three things: a fight, a seduction or a negotiation.

Sound a little too simple? Maybe. But when you think about it, especially when it comes to films or television dramas, there’s a lot of truth to it. Think about your favourite big and small screen scenes. One of my favourite films is “When Harry Met Sally”. Almost every scene between Billy Crystal and Meg Ryan is either a fight, a seduction or a negotiation (or all three at once). And man, does that make for a lot of tension and excitement.

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Creating The Stew of My Next Novel

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Writing a novel is really like putting a puzzle together. Characters, plot, setting, theme, dialogue, emotion. Or perhaps it’s more like cooking a stew.

But how does it all actually come together? After all, it’s not as simple as throwing a bunch of random characters into a pot, adding in some stuff that happens, followed by a setting, a theme, and so forth, and expect it to work. It’s a little — ok, quite a bit — more involved than that. I’m going to explain exactly how I came up with the stew of my December romance release, called “I’m Gonna Make You Love Me”.

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Writers and Failure

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Do you sometimes feel like a failure as a writer?

Okay, wait. I probably shouldn’t have phrased that as a question, because every writer has, from time to time, had to deal with feelings of failure. In fact, it’s pretty much like the crazy uncle who keeps showing up to family dinners, whether you’ve invited him or not.

I hear often enough from writers who are struggling to get published say they feel like a failure when they get rejection letter after rejection letter. And that’s to be expected. But I’m also talking about published writers, superstar writers who make six figures, as well as writers who don’t necessarily care if they get published. Read more

Romance vs Thriller — Are They So Different?

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You might say the antithesis to the romance genre is suspense/thriller. You know, people getting killed versus people falling in love. What could be more polar than that?

I suggest they’re not as different as they may seem, which is why, as a romance writer, I make sure I read a few thrillers and suspense novels each year. They help me to remember how important pacing is, that plot matters, that getting the reader eagerly turning the page matters, that good dialogue is vital.

Character development often takes a back seat in thrillers and suspense novels because plot is king. This is usually the reverse in romance novels. But a really good thriller writer will find a way to develop their characters without bogging down their novel. And good romance writers figure out how to keep the plot interesting, how to pepper believable and heart thumping conflict throughout the story while maintaining character development. Read more