Receiving Writing Feedback

Photo by Chris Liverani on Unsplash

Driving home from the rink recently, my son begrudgingly shared—and I thank the heavens daily he feels safe to share with me—how during practice, a team member made a viscous comment about a mistake he made on the ice. Doing my best not to slam on the brakes and one-eighty-it to drive over the little bastard, I forced myself to reflect on the resilience it will build in my son to take this hard knock and learn from it.

Heaven knows, it sure isn’t easy.

As a writer in the query trenches, rejections are a constant reality. After I pick myself up, and dust myself off, the next step is to search out advice to improve my writing. I, as well, have had to develop a thicker skin and tune into my inner voice to further understand what advice is best to listen to. Read more

Group Therapy

When you’re starting to write a novel, you never really know if your plot and characters have legs. You have your main characters, you have a pretty good idea of what’s going to happen to them, you have a central theme, and an ending in mind. All these ideas swimming around in your head may or may not work on the written page.
That’s because what we imagine about our characters and their journey might not translate to the reader. What we imagine as writers may work in our minds, but not on the page. The final result might not resonate or connect with the reader, and this is the worst thing that can happen to a novelist. Not poor sales, not poor royalty cheques, not one or two bad reviews, not failing to win an award. No. It’s having a reader shake her head and say she has no clue what the author is trying to accomplish and feels nothing (or little) for the characters. Read more