One of my little writing secrets is being open to sensory embellishments for creating atmosphere and fleshing out characters.
These cues can come from some of the most unlikely sources: a neighbour’s random comment, an event in a park, something viewed while driving my car, standing in line to pay for groceries, the flash of a face in a passing bus. I always try to have a pen and a piece of paper or a small notebook in my purse or knapsack to write notes down with.
Sometimes a whole conversation between characters will develop in my head, sparked by a turn of phrase I’ve overheard. On occasion, physical features of characters will be inspired by actual people I’ve observed in a specific setting. A woman with an interesting style of dress. A man with a heroic Gallic nose. A crying boy in a field. Read more