Author: Seana Moorhead

Seana Moorhead is an aspiring writer and is working on completing her first fantasy novel. She moved to Grey County in 2002, having a passion for outdoor adventures, including kayaking and wilderness camping. Suffering from a book addiction, she will read almost anything that will grab her attention, lead her into another world or teach her something new. Seana lives in a bush lot near Owen Sound, Ontario with her partner and three dogs.

How to Boost Your Creativity

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Photo Credit, Syaibatulhamdi on Pixabay

I know you are anxiously awaiting the results of my pseudo-science experiment from my last blog. I had pondered the question of the effect of physical space on creativity: Do You Have Enough Space for Creative Thought?

Do you have enough space for creative thought?

In my previous blog, I wondered if writing in a high ceiling location or better yet, in the wide open space of the outside, would produce more creative writing than writing in a low ceiling room or smaller space. I designed my experiment as follows:

I wrote for 15 minutes on a new writing project (yes, I did use a timer). I wrote short scenes (or what I could produce in 15 minutes) on a completely new story idea. I wrote in different locations from outside, to a high ceiling room, to a basement room with one small window, to my tiny trailer with room height of less than 6 feet (my small space). I kept track of how many words I wrote in each location and scored the work on my non-scientific and completely subjective “creativity” scale. 

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Do you have enough space for creative thought?

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From Pixabay, StockSnap

I caught three minutes of a radio documentary exploring the concept that to foster creativity, a person needs both time space and physical space. The time space seems obvious – the freedom to allow a mind to wander and explore— would help any creative spirit. Who doesn’t need more time to allow themself to write, paint or basketweave with pine needles?

But in the few minutes I heard of the documentary, it also discussed the idea that a person would be more creative working in an open air or high vaulted room. Is this true?

Time for research!

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Lessons from an Avian Challenged Dove

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Shikoba, as a baby dove

Shikoba prefers the term Dove to Pigeon. The latter conjures up images of park scavengers who peck at the ground and then fly up to poo on your head. However, the former “dove” is a symbol of love and peace. I’d rather be a dove too.  

We rescued Shikoba after the tornado pushed her from her nest and left her homeless. She was hunkered into the long grass and as a baby bird, we weren’t sure of her species. The mother was nowhere to be found and if we left her overnight, she would have been likely eaten by a predator, like a raccoon or maybe a rat. Instead, we put her inside our bird rescue box (yes, we have one) and attempted to save her life.  

It wasn’t easy.  

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The Weird Brother, Onomatopoeia

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Picture from Pixabay, SashaNebesuyk
I don’t think he got the same advice as I did about running in zig zag patterns

When being chased by a rhino, you should run in a zig-zag pattern. The wildlife guide in Nepal provided this advice to me. Zig-Zag is probably my favourite onomatopoeia word. The very sound of “zig” and “zag” suggests its meaning. I was “almost chased” by a rhino three times— still don’t know if it was a set up for an extra tip by the guide— and yes, each time, I duly ran in zig-zag patterns. Zippy-do-da! I’m still alive to write this blog.  

Onomatopoeia refers to a word that imitates or suggests the word’s sound. It can bring language to life by capturing its sound in the word itself.  Buzz, crash, whisper are all common examples.  Animal noises (bark, meow, chirp) are all onomatopoeia words.  Nature sounds lend themselves to be onomatopoeia. (The drizzle of rain; the swoosh of the wind; the gurgling creek).  

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The Evil Sisters Anosmia and Ageusia

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~from Pixabay, PublicDomainPictures

So I caught the ugly fish, Covid 19, in early January. Like a huge catfish, it latched onto me with its sucker mouth and slathered me with all of its nasty symptoms. This includes losing my sense of  smell (Anosmia) and taste (Ageusia) for a week.

These are the twin sisters of senses as the loss of smell effects the sense of taste.

…and smell and taste are in fact but a single composite sense, whose laboratory is the mouth and its chimney the nose…

~ Anthelme Brilliant-Savarin (and see note below)
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Consulting an Expert

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Image by mohamed Hassan, pixabay

Margaret Atwood upon writing “Oryx and Crake” found a young man with commitment issues to read a draft of her story.  She wanted to make sure that she got things right with her main character (who had commitment issues) and didn’t make any major errors.  Atwood explained about how important it is to find a reader similar to a character whenever you write a character who is not yourself.  Small details can make a difference between having a reader commit to your story or fall out of it.  

I had already heard that it can be helpful to have a reader review your work when you add in characters that have a different ethnic or racial background than you.  This is called a “sensitivity reader”. It’s important to ensure that you have the details correct and prevent yourself from falling into stereotypes with these characters  I had never thought I expanding that concept to all my main characters regardless of their ethnic background. Read more

Scary Stories

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Halloween 1976

When I was a kid, I loved ghost stories.  I was the proud owner of an Alfred Hitchcock’s vinyl record, “Ghost Stories for Young People” featuring him introducing his own short stories. I played that record over and over again on my red and yellow toy player.  The lights would be turned off and I’d make a cave with my blankets and pillows. Armed with a flashlight, I’d place the needle on the record and listen to his stories. I always played it around Hallowe’en—one of my favourite holidays back then and not just for the candy, but because I believed in ghosts and witches and monsters. 

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Not Lucky

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Do you remember the scene in Harry Potter when he won the tiny bottle of Felix Felicis or “liquid luck”? The magical potion guaranteed that the person would be successful at whatever they attempted for a short period of time. When Harry used the potion, it steered him to be in the right place at the right time and helped him say the right thing. Ironically, it didn’t allow him to have something “magical” happened for him—he just knew the right path to be on but he still had to walk along it. Don’t you wish you could have that precious jar of liquid luck to use?

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