How to End Well

“The most-asked question when someone describes a novel, movie or short story to a friend probably is, “How does it end?” Endings carry tremendous weight with readers; if they don’t like the ending, chances are they’ll say that didn’t like the work. Failed endings are also the most common problems editors have with submitted works.” – Nancy Kress

December is a good month to think about endings with another year winding down. If we were in a novel, November would be the climax of the most horrible thing to ever happen to your character – lucky November! No wonder it tends to be a grey month. But now we are onto December when the hero gets conquer to her fears, the boy finds the girl, the quest locates the lost treasure. Hurrah!

For me, the ending is the most important part of any story.

What did I say?

What about that critical first sentence, the first paragraph, the first page you slaved for months over? There are workshops and blogs and books written about the importance of the first words of any story.

But here’s a little test. Given these two reviews, what story would you pick to read:

“The novel is slow to start but keep with it, because it gets fantastic and the ending is awesome!”

“The novel starts off great, the concept is really cool but the ending sucked.”

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A Tale of Two Books

I recently read two similar books.

Both were fantasy set in imagined worlds.

Both used two different points of views to tell the story.

After stripping away the details, both had similar plotlines in broad strokes (protagonists chased / hunted by bad guys).

Both were decently written.

But one was more compelling than the other.

One grabbed my attention from the first paragraphs and pulled me like a tidal wave, forcing me to read late into the night to finish it. The other took more time before being captured by the pages.

Although I enjoyed the latter book, its first chapter didn’t entice me in the same way as the other. For the former, the first page hooked me.

As a writer I wanted to know what made the difference between these two books.

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Summer: Time to be Inspired

It’s Tuesday morning and we’re off to the Keady market, something I am only able to do in summer months when I can sneak a day off mid week. In the dim light, I squeeze into the livestock auction. The musty smell of the animals and manure overwhelms until my nose adjusts to the stench.

Everything about this event makes me feel like I am in a movie; from the auctioneer calling out in the trademark spew of an un-breaking chain of numbers, to the weatherworn faces of the farmers, their eyes seeing something in the lots of cows that my own eyes are unable to discern, to the worn plank seating.

My novel needs an auction scene.

Maybe a horse auction. Then I think of famous markets – the camel market in India; the pearl market in Beijing; the witches market in Bolivia. Maybe my novel should have a dragon auction! My mind whirls as I imagine the chaos of dragons here in Keady instead of cows.

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Your Novel is Hiding in the Garden

I hear you. There’s no time to write. Job. Kids. Cook dinner. Garden. Walk dog (or play with cat). Dishes. Laundry. Drive kids to hockey / dance / theatre / do kids paper route because it seemed like a good idea months ago. Go to work.  Then all the other optional things: play piano; run chicken barn; paint; sing songs; construct glorious garage / workshop & orchard (that would be me); pick up dirty socks (all of us). Job (again!). Stop.

What if I suggest it is not about lack of time, but lack of Read more

3 Tips for Inspiration

Do you ever feel like you’re wandering through a snowstorm in your writing?  You can’t quite see your way through your plot and your vision is obscured. Or maybe you’re struggling to start writing your story? You have an idea, a vague mass of a story. Like having flour and water but you don’t know how to make bread with them. You mix them together and all you get is a sticky, wet lump.

Here are 3 tips to get your story moving: Read more

GOYA

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I recently bought a pottery cup with the word “goya” written on it by a local artist.  “Goya” is an Urdu word and has been described as an “untranslatable” word. Roughly, it can mean the “transporting suspension of disbelief that can occur in good story telling.”

 

This tiny word captures what I seek in my writing: to have a reader become enchanted by my story and feel transported into another world.   This is the ultimate in literary escapism and all without drugs.

 

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A Pace Apart

Pacing in a story is crucial. When the tension is high, the writing should reflect that tension. The reader should feel like they’re driving a racecar across the pages. But you can’t expect your reader to read at a mad dash gallop all the time. Occasionally you need to slow, let the readers catch their breath before lulling them into a trot again. But how do you know if you have the right pacing?

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