Applying screenwriting tips to your novel

I recently came across some simple but impactful screenwriting tips. The advice said every scene should be one of three things: a fight, a seduction or a negotiation.

Sound a little too simple? Maybe. But when you think about it, especially when it comes to films or television dramas, there’s a lot of truth to it. Think about your favourite big and small screen scenes. One of my favourite films is “When Harry Met Sally”. Almost every scene between Billy Crystal and Meg Ryan is either a fight, a seduction or a negotiation (or all three at once). And man, does that make for a lot of tension and excitement.

Read more

Creating Mood in Storytelling

A prologue that I read recently has provided endless inspiration for me.

I’ve studied it many times, deconstructing the composition and trying to pinpoint what impacted me so strongly. The scene that is depicted seems innocuous; a sunny day in a park, families milling around, but the narrator is focused on several individuals apart from the seemingly ordinary setting. Ever so subtly, the narrator describes an almost imperceptible pall that comes over the scene, creating an uneasy dread in me. In less than four hundred words, the author had set the mood and rendered this reader unable to resist turning the page. Read more

New Year’s Resolutions For Weird & Wonderful Writers

Today is the last day of the year and we shouldn’t spend too much time crying about all the failed resolutions we didn’t follow through with over the past 364 days. Tonight at midnight will mark the moment of a fresh opportunity. We will have a clean slate for 2019. So, what can we do to make our new year as weird and wonderful as the unique souls that live within us?

I made a list of achievable goals specifically for writers ranging from quite simple to complicated tasks. You decide. I’m challenging you to pick one or two things off this list to push yourselves into becoming a happier creative person.

New Year’s Resolutions For Weird & Wonderful Writers:

Read more

Second Book Syndrome

I’ve been struggling with the second novel of my planned trilogy. I have all the words but it doesn’t feel like it holds together and I have no idea when or how to end it.  My two main characters split up and I don’t know how to structurally deal with that.  I try to console myself that the middle book of a trilogy is supposed to be the hardest to write.

Here’s my theory on why that is: a common problem with any novel is that the middle can sag. We spend so much time developing a great beginning and the perfect ending that the middle often drags.  Magnified into a trilogy, the middle book struggles to compete with the fantastic first book and the final resolution of the third.  Like a “middle” child, it can feel neglected, having neither the attention of the first child nor spoiled like the youngest.

This distresses me since I am a middle child. I am personally invested to have my middle book to soar.  But here’s the hard truth: I feel like I am failing it.  I have read many trilogies where the second book is weak; even with trilogies that I love, I often suffer through the middle book. Their flaws can be many: Read more

Were Your Hands Made for Writing?

There have been times, many times actually, where I’ve doubted my ability to make it in the writing industry–to put something to paper that will resonate with others and cause them think and feel something new.

The truth is, although I’ve been writing since I was a young girl; journalling, crafting stories from any experience and writing letters, essays, scientific articles and recording medical records–I hold no degree in creative writing.

Any yet, there are so many things I have mastered in my life, that I learned with my own two hands–not from school. Read more

The Long Journey Home

It’s the journey, not the destination—I keep reminding myself. And it’s a long journey, or at least I’m making it one. It was about a year ago that I decided to re-write the novel that I’d already written seven times. I was going back to scratch. I’d hoped it would take me three months, but now I’m hoping I’ll be done before the end of this year.

In that year, I got wrapped up in a bit too much volunteer work, over-extending myself. Of course, the writing got squeezed, but I still wrote something almost every day, just not always my novel. That’s been sporadic, at best. (I’ve been using Pacemaker so I now have a visual graph of my bad writing habits.) Read more