Finding the Sweet Balance Between Interiority and Exteriority in Fiction

Photo by Nick Morrison from Unsplash

During my last writing retreat, I had a discussion with a few writers about how to nail the emotional thoughts, and inner struggles of a character on the page. How do you make the reader fall in love with your character just by writing dialogue or action? How do you fit in the things only the character knows. How do you decide how many inner thoughts to include? What is too much? Or is not enough? All great questions.

The answer is simple: Find the sweet balance between the characters’ interiority and exteriority within the story you are trying to tell.

What is Interiority?

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Sparking Discussions with an Ambiguous Novel Ending

Lori Twining reading Crime Fiction

There is severe pressure on writers to have an excellent opening sentence, with an intriguing first page and a gripping first chapter. Most writers spend quite a bit of time rewriting this section of the book more than any other part of the novel. My current novel has had at least ten different first chapters, and I’m not even going to mention the hated prologue (I have written a few and deleted them all).

Then, there is the problematic middle that everyone talks about. I have a whole shelf in my library dedicated to writing your way through that. Truthfully, Write Your Novel From the Middle by James Scott Bell is one of the better how-to books for approaching this situation. It is easy to read, short (only 84 pages), and concise.

What we don’t hear much about is how to end the book. How do you deliver a satisfying ending that makes the reader walk away with a smile? How do you nail the ending and create a stir so magnificent that they are banging on your door for the next book?

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