Screenwriting

The Mists of Avalon by Marion Zimmer Bradley was the first novel I remember visualising as a film while reading it. I first read it when it was published, in the early nineteen eighties.

I don’t know how to describe the feeling exactly but somehow I was totally involved with the characters and the story. I know I felt transported to a mystical world of castles, cliffs, raging seas, desolate locations and fierce female characters I could never have imagined. The imagery was so vivid and unlike anything I had read previously. The experience has always stayed with me.

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Applying screenwriting tips to your novel

I recently came across some simple but impactful screenwriting tips. The advice said every scene should be one of three things: a fight, a seduction or a negotiation.

Sound a little too simple? Maybe. But when you think about it, especially when it comes to films or television dramas, there’s a lot of truth to it. Think about your favourite big and small screen scenes. One of my favourite films is “When Harry Met Sally”. Almost every scene between Billy Crystal and Meg Ryan is either a fight, a seduction or a negotiation (or all three at once). And man, does that make for a lot of tension and excitement.

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FADE IN – Scene One

Exterior: southern Ontario countryside, winter blizzard conditions… interior of a very old pick-up truck. Woman behind the wheel is not dressed for the weather. She’s wearing a dress, light jacket and high heels. Through the windshield a deserted rural airport and runway are barely visible. She appears anxious, her cell phone sits on the dashboard. The phone rings… Read more